It’s the successor to the ever popular 11-16mm f/2.8, with a longer focal range. The Tokina 11-20mm f/2.8 is an excellent lens. Great design and build quality without being too expensive.Super-wide angle with f/2.8 fast maximum aperture.
The lens isn’t weather-sealed so needs to be well looked after in adverse conditions.Ģ. It’s competitively priced and well-constructed. It’s a lens that is fast and quick to focus, captures sharp images time after time, and can be used in so many situations. Prime lenses are versatile, and the Sigma 35mm f/1.4 Art is an example of just this. Low chromatic aberration and image distortion. f/1.4 aperture prime lens, ideal for low-light photography. Sigma 35mm f/1.4 Art –Best Standard Prime Lens Although the build quality of the lens is fantastic, it does add a fair bit of weight.ġ. It’s also great for landscapes and architecture photography. The combination of great optics, low chromatic aberration, and image stabilization mean that you can shoot sharp and clear vistas in low-light settings. The wide angle and f/2.8 aperture mean it’s possible to capture some breath-taking images at night. This is a superb lens for astrophotography. Vibration Compensation ensures stable image capture. Sharp images produced in low light with little coma. Ultra-wide angle lens with fixed f/2.8 aperture through entire zoom range. Slightly bulky and heavy for a 50mm lens.Ĥ. There are some occasional Auto Focus inconsistencies. The Sigma 50mm f/1.4 Art is one of the best 50mm lenses for those on a moderate budget and can take some really sharp images. They’re so versatile and can be used for portraits, street photography, landscapes and astrophotography. Sigma 50mm f/1.4 Art–Best standard Prime Lensĥ0mm lenses are a favourite of many photographers. 
There’s some degree of image vignetting.ģ. It’s not weather-sealed, so care needs to be taken when out and about. All these elements combined with a lower price point than similar Canon and Nikon lenses make it a good option. This lens can capture a shallow depth of field to create a lovely soft background. It’s also quick and accurate to focus thanks to its floating inner focusing system and Hyper Sonic Motor. The wide aperture of the Sigma 3mm f/1.4 makes it a sensible choice of lens for astrophotography. Less expensive than other brands in the same range. Shallow depth of field for softer bokeh blur. Sigma 35mm f/1.4 Art – Fast Wide Angle Lens There is some barrel distortion and vignetting.Ģ. Shoot stars with aperture 3.5 manual#
No autofocus or aperture control means you’ll have to do a fair bit of manual tinkering. Images are sharp and clear with little coma, and the build is solid. It’s affordable enough for beginners, without compromising on quality. That’s what makes the Rokinon (or Samyang, depending where in the world you are) 14mm f/2.8 such a fabulous lens. Good astrophotography lenses can often reach the thousand mark and beyond. Photography isn’t always cheap, especially when it comes to capturing the stars. Multi-layer coating to reduce lens flare. A budget way to get into astrophotography. Ultra-wide angle lens with f/2.8 constant aperture. Rokinon/Samyang 14mm f/2.8 – Best Budget Super Wide Angle 
Best Canon EF (Full-Frame) Lens for Astrophotographyġ. Below are some of the best Canon camera lenses for astrophotography. There are plenty of lenses to choose from, largely dependent on the type of camera you own. They need to have a wide aperture, produce a sharp image and have as much chromatic aberration control as possible. An appropriate lens is the key ingredient when taking photographs of the night sky. It’s not easy though, and many an amateur has been foiled by simply pointing their camera at the sky on a long exposure. There’s a sense of wonder to be experienced when looking up at the wide expanse of space on a cool, crisp night. Capturing a good shot of the Milky Way can be one of the most rewarding moments of being a photographer.
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